I was a member of a singing group for a long time, but I recently left the group to pursue a solo career. While I was with the group, I wrote a lot of the tracks and other members wrote the lyrics. I kindly asked for my tracks back and they refused to give them to me. Now we are fighting about who owns the tracks. Can you please tell us from a legal perspective, Who Owns The Tracks?
MR. Team AC/TC… Making Music Like Magic!
(Indie Music Biz Radio)
Indie Music Biz Radio (IMBR): You worked with songwriter/producer Tina Clark on her first smooth jazz single “Pearl” from the EP “Nikki Ruth”..Were you at all surprised when she asked you to join her on this latest single “MR.?
I was probably more excited than surprised when Tina asked me to join her on the single “MR.”. lol She was extremely happy with the way “Pearl” turned out and gave me obvious hints that she would be bringing me in on future projects of hers. So I was excited and honored when she asked me to be apart of “MR.”!
IMBR: We understand that the process was a little different this time, in that all of the tracking was done in Logic Pro. Do you think that she had a hard time adjusting due to her habit of creating on external music workstations? lol! Did it present any challenges for you?
LOL! Well, there’s definitely a learning curve when switching to a DAW (digital audio workstation) from an external music workstation such as a keyboard or mpc. I believe producing this particular record (“MR.”) took a little longer due to Tina working in Logic Pro for the first time. She was practically producing music in Logic Pro while learning how to work it as she went along…no time for manuals!! HA! However, she’s a fast learner. I think she’s getting the hang of it! Lol On my end, it was definitely easier for me to collab because everything was in the same format. When editing and explaining transitions, we could both pull up the session in Logic and immediately be on the same page. I love that!
IMBR: Part of her musical signature is themes. Whenever you hear a Tina Clark instrumental, there is always a melodic theme. Does that make it easier or harder for you to co-produce with her? (If yes or no) How?
Yes, definitely! Her having themes in her music makes my life a thousand times easier because I know where I am in the song. LOL It’s basically a chorus for me..which most songs have. So if she says “you know, let’s make the second verse/improv 8 bars longer” I know exactly where that second verse/improv should come in at. Omg, it makes composing music sooo much easier! Lol Have you ever heard a jazz record and you have no idea where they are because it’s all just improv?…Of course, it’s amazing to listen to, and even play live! But when you’re the one playing piano, recording over someone else’s improvisation…you may get lost…a lot! Lol So I love to have some sort of structure in a song.
IMBR: In terms of capturing her ” vision” for MR…how did she communicate that to you?
She simply told me what she wanted and where she wanted it in the track. Most of the time it was her doing a demo of what she heard over the phone! She also gave me a couple examples of the style of piano playing she wanted, which always makes things easier to grasp when I can actually HEAR them as a musician.
IMBR: MR. is very sensual..who’s idea was that? lol..because she is a little reserved in person. Were you surprised at the sensuality of the track?
LOL! It is pretty sensual isn’t it?! I was a little surprised because it is definitely more sensual than some of her other works. Believe it or not, it was her idea! She wanted this track to be emotional and reeeaally smooth. It was up to me to help create that…so I stayed up late playing piano with the lights dimmed in my home studio..eyes closed and everything! Lol Because I really wanted to FEEL what I was playing to help create the sensuality in “MR.” From what I hear, that was a success! Ha!
IMBR: Every song on this project has a story behind it, did she tell you the story behind MR.?
Yes, every song has a story behind it…she told me a little bit about the story behind “MR.” If I remember correctly, it has to do with a relationship Tina’s mother had…since this entire project revolves around her mother. Like any other relationship, it had it’s romantic times, it’s happy and smooth times, and it’s rough, stormy times. We wanted to capture all of that musically!
IMBR: You are actually co-producer on this entire project. She really likes your work huh?
And the two of you seem to work well together..what do you attribute that too because she doesn’t trust or work with a lot of people?
Yes, I am! Pretty dope, huh? Lol Yeah, I believe she not only likes my production work, but she likes the fact that I am a trustworthy, reliable and consistent businessman. Not to mention, I’m a really cool guy to work with! LOL It’s a mutual feeling..she’s a great person to work with!
IMBR: Tina talks often about how professional you are as a producer! What do you say about that?
Wow, that says a lot by itself actually! Unfortunately, there are A LOT of unprofessional people in this industry. So when you find the ones who ARE professional, keep them close. Lol Really! I believe my professionalism comes from growing up watching my parents run their own business…personable and professionally! I like to handle my business the same way.
IMBR: Hey Anthony, Thanks for taking out time to talk with us!
Oh, it’s no problem at all! Anytime…you guys are great. Thank you for the opportunity!
IMBR: You are available for other projects, how can you be reached?
Yes, definitely! Go to HYPERLINK “http://www.clintproductions.com” www.clintproductions.com and from there you can find me on Facebook, Twitter, and Youtube!
Gary Fuston has a very deep passion for music and the arts which has opened many doors to the online community of networking with other artists and bands by introducing their new music releases on his radio program on GHP RADIO, “G. House Jazz & More” and “GHP RADIO Electro Chill Lounge.”
I’m excited about this opportunity and I’ll tell you why: Internet radio listening spread to 39% of all U. S. broadband households by early 2011, and smartphones account for a significant portion of their internet radio listening. And it’s not just early adopters or rabid fans, either: the massive growth of services like Last.FM, Rdio, Spotify and Pandora in American culture is real. This means that luckily, as old-school FM radio declines and the saturation of online streaming music services expands, today’s indie artists have opportunities to promote their music unlike any other in history according to madeloud.com and a Parks Associates survey. Smoothjazz.com is the #1 result when searching “smooth jazz” on-line and has the largest gathered on-line community of jazz enthusiasts in the world with 7.5 million listeners and 300,000 unique site visitors per month as well as 45,000 email JazzBlast subscribers and nearly 10,000 Facebook followers!! Both of my smooth jazz singles “Pearl” and “MR.” have been added to their playlist, so be sure to join the world in listening to my music on SmoothJazz.com Global Radio.